In Loving Orphaned Space: The Art and Science of Belonging to Earth, Mrill Ingram explores the forgotten spaces of both urban and rural landscapes, and finds grace in neglected pockets of human landscapes.
In his new novel, Painting Beyond Walls, David Rhodes returns to the hamlet of Words, Wisconsin, the setting of his two most recent novels, Driftless, and Jewelweed.
Unease crackles through an otherwise familiar Wisconsin Northwoods setting in Jill Stukenberg’s debut novel, News of the Air, winner of the Big Moose Prize from Black Lawrence Press.
In her debut story collection Milk Blood Heat, Dantiel W. Moniz handles the concept of human connection as if it were a jewel, inspecting its every facet, glint, and shadow.
Wisconsin poet Maryann Hurtt’s groundbreaking new book, Once Upon a Tar Creek: Mining for Voices, gives poetic voice to hard truths about Oklahoma’s Tar Creek environmental disaster.
The narrator of Jackie Polzin’s memorable first novel, “Brood,” pays exquisite attention to the seemingly ordinary world around her.
More than two billion years of Earth history, and thousands of years of human history, have shaped the physical landscape in Wisconsin and, in turn, influences how we live with the land. In The Geography of Wisconsin, written by John A.
Unflinching in their catalogue of environmental loss, the poems in Catherine Young's fine collection, Geosmin, are generous in their celebration of natural life in Wisconsin’s Driftless Area, where the poet lives and farms.
“Who were you?” a stranger in the checkout line of Trader Joe’s asks Mae, in the opening story of Rose Ann Findlen’s collection, Waiting for the Fall.
In Ingrid Andersson’s first collection of poetry, Jordemoder (the Swedish for “earth mother” or “midwife”), the poems serve as passionate witness to human experience
- 1 of 10
- next ›
Wisconsin Academy Offices
1922 University Avenue
Madison, Wisconsin 53726
James Watrous Gallery
3rd Floor, Overture Center for the Arts
201 State Street
Madison, WI 53703
Phone: 608.733.6633 x25