Side-by-side solo exhibitions: mezzotints by Douglas Bosley and drawings by Scott Espeseth.
Side-by-side solo shows by two artists who draw on myth and folk tales.
Can visual art be taught through radio? The producers of WHA’s “Let’s Draw” program thought so.
Leslie Iwai’s installation for the James Watrous Gallery, Daughter Cells: Inheritance, Separation and Survival, is an investigation of family relationships at both the cellular and emotional level: what we inherit, how we separate, and what we choose to retain and pass on.
Showcasing the work of Wisconsin Oneida artists dedicated to the survival of one of their most important artistic traditions: Haudenosaunee (Iroquois) raised beadwork.
John Craig's prints explore perception, history and narrative. Valerie Mangion's paintings explore the nocturnal life of animals.
Gwen Avant's expressive paintings communicate acceptance, beauty, and peace. Gregory Klassen will explore natural processes, such as gravity and evaporation.
Tom Berenz's current paintings combine recognizable bits and pieces from ordinary life with swaths of color and pattern. Shane McAdams introduces jarringly synthetic elements in to classic landscape scenes.
Solo shows by two artists exploring memory and identity through narrative experiences.
Rina Yoon’s current work is a meditation on the relationship of fate and will in our lives.
LOGJAM features sculpture and prints by three artists for whom wood--from saplings and underbrush to massive old-growth stumps--is a primary material.
GONE WILD: David McLimans will include a selection of the artist’s exquisite collages, gently humorous sculptures made with found materials, and sophisticated editorial illustrations.
Working in brilliantly glazed ceramic, Craig Clifford casts found objects and combines them into tableaux in which natural imagery collides with pure kitsch.
Wasted Days and Wasted Nights reflects upon identity and tension played out on the vast landscapes of rural Wisconsin. It is a personal journey in response to conflict and confusion, but
Waterways features three Wisconsin artists--Sarah FitzSimons (Madison), Marsha McDonald (Milwaukee), and John Miller (Madison)--whose work investigates the essential nature of water.
Thomas Gaudynski's drawings riff off the still-life tradition. Brandon Norsted takes architectural woodwork and domestic objects as the raw material for his sculpture and installations.
Randall Berndt's drawings and paintings are inspired by the lives of famous artists and other art, the mysteries of our place in nature, and historical events filtered through literature and mythology. Christine Styles' Stories of the Heart series are woodcuts that reflect on the roles our hearts play: physically, symbolically, spiritually, metaphorically, personally, and inventively.
This exhibition celebrates the work of Paul Vanderbilt, an archivist, photographer, and visionary who sought new ways to understand the world through visual images. Developed in collaboration with the Wisconsin Historical Society's Archives Division.
Graham Yeager's sculptures in steel and wood are finished with a palette of strong, vibrant color. Tyler Robbins's photomontages are a fresh offshoot of his photographic series focused on the suburbs' landscapes, rituals, and citizenry.
Donald Friedlich has developed an international reputation for his elegant, innovative jewelry in glass and gold. Dianne Soffa's abstract color field paintings in encaustic, oil, and acrylic have thick, luscious surfaces, luminous color, and an emotional core.
Solo exhibitions by photographers Ida Wyman and Kevin Miyazaki.
Paintings by Pamela Callahan and steel sculptures by Rhea Vedro.
Trained as metalsmiths, Lisa Gralnick and Venetia Dale use ceramics to produce hybridized objects that merge sculpture, design, and craft sensibilities.
A group show of work inspired by the artists' relationships to the landscape, featuring seven of Wisconsin’s most accomplished artists: Barry Roal Carlsen, David Lenz, Cathy Martin, John Miller, Ch
Systems for Abstraction features the work of three artists who use abstraction to organize and present their understanding of the world.
Digital still-life images by Lisa Frank and dreamlike paintings by Nova Czarnecki.
Vital Skills builds on the current interest in community resilience and "re-skilling" by bringing together the work of people who are preserving traditional hand skills in Wisconsin.
Toby Kaufmann-Buhler's newest video and sound installations are projected onto the floor and an array of suspended screens, creating immersive spaces that explore the intersection of cyclical human
About Seeing is an exploration of the fascinating differences in how we see.
The paintings from Kristy Deetz's lyrical, subtle Veil series reweave the trope of draped fabric.
Photographer Tom Jones's Encountering Cultures series captures the Rendezvous, historical reenactments of the French fur trade in North America.
Chele Isaac and BA Harrington's collaborative, multimedia installation work explores themes of dislocation, migration, and the way nostalgia distorts and narrows the idea of "American-ness." For th
JoAnna Poehlmann's drawings, collages, and artists' books combine superb draftsmanship, meticulous observation, humor and a deep appreciation for nature.
Derrick Buisch's intensely colorful paintings straddle the border between everyday visual information and a world of richly layered abstraction.
Mark Klassen of Milwaukee and Lewis Koch of Madison both create artworks steeped in the politics and uncertainties of life after 9/11.
Amy Chaloupka has a longstanding fascination with the visual language of maps.
In 2007, the Wisconsin Arts Board's Percent for Art program commissioned six photographers to create portraits of contemporary Wisconsin workers.
Today's do-it-yourself (DIY) craft movement isn't your grandmother's knitting. Or is it?
Working collaboratively, Shana McCaw and Brent Budsberg of Milwaukee create miniature architectural forms-houses, telephone poles, farm buildings-and insert them into unexpected contexts, like the
Milwaukee artist William Andersen's installations are informed by his extensive travel, and explore the impact of globalization, displacement, and cultural hybridization.
In his large-scale photographs, Carl Corey isolates parts of the built environment such as expressway underpasses, swimming pools and suburban backyards that have become so mundane that we no longe
This exhibition will feature several artworks by each of the seven winners of the 2010 Wisconsin Arts Board Visual Arts Fellowships.
An exploration of landscape through the painstaking and richly textured medium of fabric and embroidery, guest curated by Jody Clowes.
Milwaukee artist Denis Sargent’s series of works, entitled Schemata, is influenced by a variety of textile traditions and combines imagery from ancient to contemporary sources.
The Fine Art of Children’s Book Illustration will present the work of several of Wisconsin’s most accomplished illustrators of children’s books.
Sun Prairie artist Julie Ganser's multi-layered assemblage/paintings combine craft and plant materials, found objects, and sheer fabrics to form a "shadow box" effect.
A collaborative installation by artists Lane Hall and Lisa Moline and freshwater scientist Rudi Strickler.
This is the first exhibition devoted to work by artists honored with the Wisconsin Visual Arts Lifetime Achievement Award.
Kim Cridler (Mazomanie) builds monumental grid-like steel sculptures that often reference iconic vessel forms.
Aaron Bohrod: A Life and Still Life celebrates both the birth centenary of an important Wisconsin artist and his connection to community.
Milwaukee artist Jeremy Wolf will fill the James Watrous Gallery with an installation of both moving and static sculptures depicting animals interacting with man-made objects such as cars and subma
Robert Atwell’s colorful, patterned paintings and interactive wall installations are inspired by popular culture, cartoons, digital graphics and the Midwestern landscape.
Doug Fath’s black and white oil paintings record images from a cross country road trip.
Wisconsin’s People on the Land examines the changing rural landscape of Wisconsin as seen through the eyes of four Wisconsin artists: Milwaukee painter David Lenz, Madison photographer Tom
This exhibition will show several artworks by each of the seven winners of the 2006 Wisconsin Arts Board Visual Arts Fellowships.
Green Bay sculptor Carol Emmons transforms the James Watrous Gallery into an environment that looks at love and longing during the months of December and January, a time of holiday celebrations, pe
Cedarburg painter Jean Roberts Guequierre and Madison fiber artist Diane Sheehan find inspiration in medieval and Renaissance artworks and technological processes.
Stoughton sculptor Aristotle Georgiades uses thick industrial felt combined with other materials to make objects reminiscent of traditional tools or working objects and related hardware.
This exhibition was organized by the Wisconsin Academy’s James Watrous Gallery and the printmaking area of the University of Wisconsin–Madison.
This second of a series of side-by-side solo exhibitions features Madison artist Scott Espeseth and Milwaukee artist Paula Schulze.
Wisconsin Academy Administrative Offices and Steenbock Gallery
1922 University Avenue
Madison, Wisconsin 53726
James Watrous Gallery of the Wisconsin Academy of Sciences, Arts & Letters
3rd Floor, Overture Center for the Arts
201 State Street
Madison, WI 53703